Women’s Experimental Cinema
presents energetic introductions to the paintings of fifteen avant-garde ladies filmmakers, a few of whom labored as early because the Nineteen Fifties and lots of of whom are nonetheless operating at the present time. In each one essay during this assortment, a number one movie student considers a unmarried filmmaker, providing biographical details, studying quite a few impacts on her paintings, analyzing the improvement of her corpus, and studying an important variety of person motion pictures. The essays rescue the paintings of severely ignored yet influential ladies filmmakers for educating, extra research, and, expectantly, recovery and protection. simply as importantly, they enhance the knowledge of feminism in cinema and extend the terrain of movie heritage, fairly the heritage of the yankee avant-garde.
The members learn the paintings of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail baby, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays spotlight the range in those filmmakers’ types and techniques, protecting themes equivalent to how Menken used movie on the way to reconsider the transition from summary expressionism to Pop paintings within the Fifties and Nineteen Sixties, how Rubin either objectified the physique and investigated the filmic gear that enabled that objectification in her movie Christmas on Earth (1963), and the way Dunye makes use of movie to discover her personal identification as a black lesbian artist. even as, the essays display commonalities, together with an inclination towards documentary instead of fiction and a dedication to nonhierarchical, collaborative construction practices. The volume’s ultimate essay focuses explicitly on educating women’s experimental motion pictures, addressing logistical matters (how to procure the movies and safe right viewing areas) and lengthening the diversity of the ebook by way of suggesting substitute motion pictures for lecture room use.
Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees